Fellow of the Society of Antiquaries (FSA)

 As a royal learned society, our Fellows have been inspiring scholarship, debate and research for over 300 years. More recently, we have welcomed enthusiasts such as Affiliates and the general public to share in our journey to understand the past and its relevance today.

Fellow of the Royal Historical Society (FRHistS)

Founded in 1868, the Royal Historical Society (RHS) is a successful learned society, membership organisation and charity with a 150 year history. Today, the RHS is the UK’s foremost society working for historians and history.

Fellow of the Royal Society of Arts (FRSA)

The royal society for arts, manufactures and commerce – a global network of changemakers enabling people, places and the planet to flourish in harmony.

Song of the Pine: The Projection Studio Installation

In a world now assessing the climate crisis, our piece aimed to engage the public with the importance of trees and forest ecology. The project aimed to connect people with a greater sense of agency and try to introduce practical local strategies in England to promote better ways of living. This was done through a number of partners including the National Forest. Our piece worked with a botanic garden, the Sir Harold Hillier gardens in Dorset to engage the public as part of a night time winter walking trail. The trail was created by Light Up Trails. We used early medieval literature and storytelling traditions of northern Europe as the means to connect the audience with the life cycle of the pine tree. The piece was a modern framing of storytelling tradition with voice recordings by Dr Eleanor Barraclough. Commissioned by the AHRC project, INTO THE FOREST led by Dr Eleanor Barraclough. Created for Light Up Trails – 2023.

Midwinter Nights: The Projection Studio Installation

This experimental artwork was a R&D project for us to use a very unusual projection surface, a stand of trees which were viewable form the main path. The final piece is a ten minute visual poem. The piece depicts animals on a winter evening and juxtaposes predators and prey. The music composed by Karen Monid is meditative and is combined with animal noises to add atmosphere. Inspired by the AHRC project, INTO THE FOREST led by Dr. Eleanor Barraclough. Created for Light Up Trails – 2020 Midwinter Nights was commissioned by Light Up Trails for Wiston House. The projection was re-worked to be shown again at Anglesey Abbey for the National Trust and at Sir Harold Hillier Gardens, again for Light Up Trails.

Animal: The Projection Studio Installation

ANIMAL was Inspired by the AHRC project, INTO THE FOREST led by Dr. Eleanor Barraclough. Created for the Cheriton Light Festival – 2020. Animal was inspired by Dr Eleanor Barraclough’s work on the forest themes and the podcasts that she had produced from that research. Animal was an experimental work in using psychoacoustics in a public urban environment. The soundtrack and imagery start in the modern day and then lead the viewer back to a Mesolithic landscape at the end of the last ice age. (Watch out for the wolf at the end…)

Timber Festival: Introducing the National Forest Podcast

Event at the Timber Festival with members of the National Forest team, introducing the six-part podcast series presented by Eleanor Barraclough, written by Cressida Peever and produced by Melvin Rickarby.

Bath Spa University

From Autumn 2022 I’ve been based at Bath Spa University in the School of Writing, Publishing and the Humanities.

Department of History, University of Durham

Up until Summer 2022 I was Associate Professor of Medieval History and Literature, where I taught all sorts of things medieval and arctic, with a particular emphasis on the Vikings.

DurhamARCTIC

While at Durham University, I was Deputy Director of Durham’s Arctic Research Centre for Training and Interdisciplinary Collaboration (DurhamARCTIC), a doctoral research and training centre funded by the Leverhulme Trust. Three years of excellent doctoral students have now joined the programme, working on everything from polar law to the history of arctic exploration.

Borders, Boundaries, Landscapes

Formerly General Editor of ‘Borders, Boundaries and Landscapes’, a book series with Brepols (academic publishers). I was very lucky to have an interdisciplinary board of experts drawn from institutions around the world, and a world-class publishing manager who keeps the whole ship afloat. The book series is still going strong, currently under new (and improved) general editorship.

University of Wisconsin-Madison

From 2015 to 2016 I was lucky enough to be a visiting research fellow in the Department of Scandinavian Studies, at the University of Wisconsin-Madison. 

University of the Arctic, Tromsø

I’m a member of the research group ‘Creating the New North: Manifestations of Central Power in the North AD 500-1800’. This means I get to spend more time in Arctic Norway and hang out with interesting people, a state of affairs that makes me very happy.

UArctic

I’m one of the founding members of the steering group for the University of the Arctic (UArctic) at Durham University, a network of universities, colleges, research institutes and other organisations concerned with education and research in and about the North.

Faculty of English Language and Literature, University of Oxford

As a Leverhulme Early Career Fellow in the English Faculty, I researched and wrote the book that would become Beyond the Northlands: Viking Voyages and the Old Norse Sagas, published with Oxford University Press in 2016.

International Arctic Social Sciences Association

I began collaborating with IASSA colleagues at the 7th International Congress of Arctic Social Sciences, held in Akureyri in Northern Iceland. Since then, we have had a lot of fun organising conference panels, co-writing journal articles and editing a book, Imagining the Supernatural North. We visit each other in our home countries and spend evenings introducing each other to local alcoholic specialities.

The Queen’s College, University of Oxford

As an Extraordinary Junior Research Fellow at Queen’s, I had some Extraordinary Experiences, including creating an annual Yule Feast for the English Students and taking members of the college on a ‘Vikings v Anglo-Saxons’ roadtrip, where we re-enacted the Battle of Maldon in Essex and declaimed Beowulf on top of a burial mound at Sutton Hoo.

Anglo-Saxon, Norse and Celtic, Cambridge

I spent many happy years in ASNC, immersed in the languages, literatures and cultures of what are sometimes called the ‘Dark Ages’. I specialised in Old Norse culture, language and literature, with a PhD in landscape and space in the Old Norse sagas. I was an undergraduate at Churchill College and a postgraduate at Pembroke College.

 

 

AHRC Masters and Doctoral Awards

At Cambridge, my MPhil and PhD were funded by masters and doctoral awards from the Arts and Humanities Research Council.